We are pleased to announce the launch of the New England Chapter 40th Anniversary Exhibition! Members from across the nation created a range of bindings from traditional fine bindings to creative design bindings. There are innovative artist books and sculptural pieces. We hope you enjoy this exhibit as it showcases the brilliant and creative community that makes up the New England Chapter.
We will be launching a series of interviews about our past Chapter Chairs. Announcements will follow when they become available. We are also creating programming around our exhibit, so stay tuned!
The tour will be led by Burns Library conservator and exhibit curator Barbara Adams Hebard and Burns Librarian Christian Dupont. Louise Imogen Guiney (1861-1920), one of only two women represented in stained-glass portraits of American authors in Bapst Library at Boston College, may have faded from the canon, yet she continues to offer a unique window into the multifaceted literary establishment of late 19th-century Boston.
This is a very special Show and Tell, sponsored by the New England Chapter of the Guild of Book Workers, featuring bindings of the Encyclopedia of Inspiration! We were so delighted to be joined by Janine Vangool of Calgary, Alberta, Canada, and the Publisher of Uppercase Magazine, and Todd Pattison and Sharon Pattison. Janine spoke about how the Uppercase Encyclopedia of Inspiration was developed and Todd spoke about the history of the binding project, and detailed how he facilitates distributing the Encyclopedia in sheets to each group of binders.
Ten talented binders shared the books they made for the project. They are:
Please join the Guild of Book Workers, New England Chapter, as we revisit our karaoke-style show and tell format, this time with a special theme!
Janine Vangool, will join us from Calgary, Canada, to talk about publishing Uppercase, a magazine for the creative and curious, and the Encyclopedia of Inspiration, a series of books celebrating creativity, craft, and design. Since the first volume of the Encyclopedia was published in 2016, Janine has generously provided copies in sheets to book artists, who use them to create one-of-a-kind bindings inspired by the contents. This project has been facilitated by Todd Pattison, Conservator for the New England Historic Genealogical Society, and an active member of the Guild of Book Workers. He’ll be on hand to speak more about the project, and will introduce us to some of the makers who have participated.
To RSVP, please fill out the following form. Zoom info will be sent closer to the event.
This event will be free and open to the public. Please note that we will be recording this session and uploading it to Vimeo for all Guild members to view. This video will be available only to Guild members and will be password protected. You many turn off your camera if you do not wish to be recorded.
Click on each book to see all the bindings that were made for it!
The New England Chapter of the Guild of Book Workers will host its 2020 Annual Meeting online this year. We hope to maintain the same sense of community and member input that we strive for at every annual meeting.
Please join us for a presentation by Sarah Pike who will be speaking about the various services she offers at FreeFall Laser. We’ve also invited three different makers to speak about how they’ve used laser-cutting in recent projects: Amy Borezo, Andrea Dezsö and Aspen Golann. Please see below for more information on the presenters.
NEGBW Annual Meeting
Wednesday, August 26
7:00 – 8:30pm (EST)
Following the discussion, Chapter Chair Erin Fletcher will give updates on Chapter Business.
RSVP: Please register here if you plan to attend. Zoom info will be sent prior to the meeting. The meeting is open to both members and non-members.
Sarah Pike is a printmaker and owner of FreeFall Laser, a laser-cutting studio specializing in collaborating with artists and artisans to create custom work that combines technical expertise with artistic exploration. She received her MFA from the Pennsylvania Academy of the Fine Arts. Prior to opening FreeFall Laser, Sarah taught studio arts at the Community College of Vermont and printmaking at Bennington College, where she was the Technical Instructor of Printmaking.
Amy Borezo is an artist working in the book form. She owns and operates Shelter Bookworks, an edition binding studio located in Western Massachusetts. Amy has used laser cutting to assist in decorative techniques for fine press edition binding. This includes laser engraving a plexiglas plate to emboss leather, as well as cutting complex shapes out of book board. Amy has also used laser cutting to create imagery in her own artist’s books.
Andrea Dezsö is a visual artist who works across a broad range of media including drawing, painting, artist’s books, embroidery, cut paper, animation, sculpture, site-specific installation and public art. Dezsö’s permanent public art has been installed in three New York City subway stations, at the United States Embassy in Bucharest, Romania and at CUNY BMCC Fiterman Hall in Lower Manhattan. Community Garden, Dezsö’s mosaic in the New York City subway was recognized as Best American Public Art in 2007 by Americans for the Arts. Dezsö worked with FreeFall Laser to produce seven large scale laser-cut tunnel books for her upcoming exhibition From the Murky Banks of Chattahoochee, a site-specific installation at the Columbus Museum in Columbus, Georgia.
Aspen Golann is an artist and a 17th & 18th century-style furniture maker from Boston, MA. Of her collaboration with Free Fall Laser, she writes: “I pursued glass enameling because I was looking for a way to integrate my paintings into my furniture practice. Sarah Pike was able to faithfully translate my drawings into vector files and cut my hand drawn lines into clear sticky plastic. From there I was able to apply the cut plastic to shaped glass and remove pieces and apply glass enamels one section at a time. That process is what gives my airbrushed patterns their sharp lines and contrast. From there I pour silvering chemicals by hand to capture the enameled sections within a functional mirror.”
Books have always been a vessel for storing and spreading information. As bookbinders we can use our skills right now to help disseminate information for the Black Lives Matter movement and introduce all types of people to the facts about police brutality.
Sarah Bryant, Big Jump Press, has shared her book Read This Out Loud as a free downloadable PDF that can be easily bound. On her blog, you can find the link to the PDF, plus some video tutorials for how to bind it.
Read This Out Loud is meant to be distributed for free or if sold, all proceeds should go toward Black Lives Matter or a similar organization.
The book was designed in June 2020 in a response to the murders of George Floyd, Ahmaud Arbery and Breonna Taylor and includes the names of people who have died by police brutality. Check out Sarah’s blog for more information about the book itself and how this information was compiled.
The following workshop is not sponsored by the New England Chapter, but may interest our members.
Laser Cutting Boot Camp for Printmakers
June 12 – 15, 2020
Laser Cutting Boot Camp for Artist Books
June 26 – 29, 2020
North Adams, MA
Learn how to:
– operate a laser cutter
– make laser-ready files
– test innovative laser cutting & engraving applications
– produce a material sample book
– combine traditional techniques with new technology
– take advantage of tips & tricks
– identify laser safe materials
– recognize problems and solve them
– incorporate best practices and optimize work-flow efficiency
– make the most of connecting with faculty and brainstorming curriculum development
– laser cutting techniques for artists
Louise Imogen Guiney (1861 – 1920), one of only two women represented in Bapst Library’s stained glass portraits of American authors, may have faded from the canon, yet she continues to offer a unique window into the multifaceted literary establishment of late 19th-century Boston. Guiney’s family and friends connected her to Boston’s literary circles where her own drive to write—first poetry, and later, stories and biographical essays—earned her acclaim, if not the financial independence she sought.
Guiney’s choice of subjects was informed by her Catholic beliefs, her admiration for Jesuits, and her sojourns in Ireland and England. This retrospective exhibit focuses on her relationships with Catholic religious leaders, fellow writers, and publishers in Boston. Of special interest to book artists, there are notable book cover designs and printing examples in the exhibit.
The venue for the workshop is on the shore of Lake Damariscotta, Jefferson, Maine (about 2 hours north of Portland). The lodge was once an old fish camp built in the early 1900s. After being renovated it has served as a space for creative writing and bookbinding.
These workshops are not sponsored by the New England Chapter of the Guild of Book Workers.
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