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Introduction to Water Gilding

Introduction to Water Gilding Course
At the studio of Sarah Pringle
http://cinchonline.com/courses/workshops/

Early winter 2018

Water Gilding: Foundation Study, Introduction to Traditional Materials & Techniques

Course Description:
This is an introductory level course suitable for those interested in learning the basic skills needed to work with traditional water gilding methods. You will receive five days of hands-on instruction in the practice of traditional water gilding, with the emphasis on practical techniques for surface preparation and the handling of loose leaf for panel and/or furniture gilding.

Materials, tools and equipment will be defined and their importance explained. Techniques in surface preparation using gesso and clay bole as the foundation for gilding will be taught step-by-step. Handling and applying gold and semi-precious leaf will be demonstrated so that you can become relaxed and confident when doing the application yourself. You will have the opportunity to prepare and gild a variety of panels and a mock up chair rail. Materials, supply and resource lists, recipes, a bibliography and supplemental material will be provided.

You may choose to add an additional sixth day to this course, which would provide you with access to the studio and time with the instructor to continue working on or to complete course projects.

Level:
Beginner. Given the detail oriented nature of water gilding some experience in hand/eye skills with brushes and an appreciation for technique and process is helpful.

Date:
Late January or anytime in February ; Five (5) day course (additional sixth day optional)

I’ve been asked by an interested prospective student to teach this introductory course. They have flexibility with when the course would happen. Those considering taking the course would have the opportunity to give input as to which week will be chosen.

Class Size: 3 – 4
Instructor: Sarah Pringle
Workshop Location: One Cottage Street, Fourth Floor #42, Easthampton, MA

To make an inquiry about this course please go to http://cinchonline.com/courses/workshops/

S. Pringle Introduction to Water Gilding Course Description

 

Tackets, Overbands, Lacings and Buckles

Tackets, Overbands, Lacings and Buckles: a lecture by Katherine Beaty on early Italian stationery bindings of Harvard’s Baker Library

When: Friday November 17th, 4-5pm
Where: 90 Mt. Auburn St., Cambridge, MA 02138

This lecture is free and open to the public. Seating in limited, so please arrive early!

The Harvard Business School’s Baker Library houses the largest collection of early Italian business records outside of Italy. It includes 150 account books and day books of the Medici Family, 81 volumes from the Barberini Family, and many more. Presenter Katherine Beaty will talk about the use and structure of early Italian stationery bindings that were observed during recent conservation projects of the Medici and Barberini collections. These unique limp vellum bindings include unusual structural features, such as overbands, decorative alum-tawed lacings, spine and endband tackets, and different fastenings types, including ties, loop and toggle, and buckles. This lecture is presented in conjunction with a workshop on Italian tacketed stationery bindings hosted by the New England Chapter of the Guild of Bookworkers. For more information on the workshop and to register for one of the few spots remaining in the workshop, click here.

Presenter Katherine Beaty is a rare book conservator in the Weissman Preservation Center for the Harvard Libraries. For the past 10 years, Katherine has been treating rare books from the Harvard library collection, with a special interest in parchment, Islamic and non-western books, and investigating historical book structures. Over the last four years, she has been conserving early Italian account books from the Harvard’s Business School’s Baker Library Historical Collections. Katherine earned her M.A. from the Buffalo State College Art Conservation program with a specialization in book conservation.

 

Two workshops

While these are not GBW events, members may find them interesting.

Workshops:

Case by Case Bookbinding Workshop with Martha Kearsley
October 21st 10-4pm

Learn to sew, assemble and cover your very own case binding, a versatile and ubiquitous bookbinding style. Case bindings allow for the covers to be made separate from the text block, providing a variety of decorative and labeling options before the book is complete. Materials will be provided, but participants might want to bring decorative and printed papers that they fancy for their covers.

$125/ non- members + $15 supply fee

Sign up By OCTOBER 18th
https://www.pickwickindependentpress.com/workshops/


Make your own Bone Folder with Brien Beidler
November 19th 10-4

In this 4 hour workshop, students will learn the essentials needed to make their own hand tools to fit their hands and needs. Beginning with the raw materials, students will cut, hew, file, scrape and polish bone into beautifully functional folders, awls, and/or objects.

The workshop fee includes either 1 large, 2 medium, 3 small, or some combination thereof of raw bone, a dust mask, a sandpaper packet of gradiated grits, and access to an assortment of files and rasps. Students are also encouraged to bring a dust mask and work gloves. More of Brien’s work here: https://www.beidlermade.com/

$100/ non- members + $15 supply fee
Sign up November 5th

https://www.pickwickindependentpress.com/workshops/

40 Years of Work: Peter and Donna Thomas

Peter and Donna are book artists from Santa Cruz, California who started their business in 1977. They completed their first book, “The Three Cedars,” in 1978. 2017-18 marks their 40th anniversary, which will be celebrated in libraries across the country with retrospective shows displaying from those libraries own holdings.

Beginning in August of 2017 Donna and Peter will be traveling to visit those shows as “Wandering Book Artists”. They will also be meeting with community-based and academic book arts classes, teaching book arts workshops, and working with fellow book and paper artists to create collaborative artworks.

Donna and Peter will be coming to Boston!
Where: North Bennet Street School, 150 North Street, Boston, MA
When: Wednesday, October, 11 at noon

For those unfamiliar with their artistic practice, Donna and Peter make their own paper, letterpress print or hand render the texts, illustrate, and hand-bind their books themselves. They make both edition and one-of-a-kind books that combine the precision of the fine press aesthetic with the structural exploration and artistic creativity found in contemporary artists’ books.

Peter and Donna have written this about their past trips:

“We drive a pickup truck pulling a “Tiny Home on Wheels” (which is featured in a book by the same name published in 2014 by Shelter Books). Our tiny rolling home is a finely crafted wooden travel trailer, built in 2009 using local sustainably harvested woods, and decorated with Donna’s colorful folk art painted designs. Although the trailer is our home while on the road, more esoterically it is a physical artwork, and metaphorically it embodies our ideas about the changing nature of the physical book in the digital age.

People always stop us, wondering what it is, and if they can look inside. When conversation turns to what we are doing and what exactly is an artists’ book, we use our rolling home as a metaphor saying, “When people see, or look inside regular RV what do they think? Usually nothing, or, “How practical.” But when people see our caravan they get excited, curious, inspired – something magical always happens. Commercially produced books are like regular RVs, practical and full of information. Artists’ books are like our tiny home on wheels. They inspire imagination, wonder, excitement and do the many wonderful things that art works do.

On campuses we open the door and invite in visitors. The conversations often are about living in small spaces and making do with less, what it means and takes to live a creative life, what or who is an artist, and what is a “book artist”? We keep a blog documenting our travels and conversations as wandering book artists which you can find at: http://www.wanderingbookartists.blogspot.com/

 

Salem Athenaeum Conservation Night

While not a Guild event, we occasionally highlight events which might be of interest to our members.

Conservation Night

When: September 27, 2017 @ 7:00 pm – 9:00 pm

Cost: Free
Contact: Jean Marie Procious 978-744-2540
Join us for the sixth annual Conservation Night featuring some of the most important books in our historical collections.  We will unveil the conserved volumes — books sponsored by generous participants of the 2016 Conservation Night — and present more ailing books for your consideration.  Executive Director Jean Marie Procious will give an illustrated presentation about the books and their value to the collection.

Workshop: Italian Tacketed Stationery Bindings with Katherine Beaty

Workshop: Italian Tacketed Stationery Bindings with Katherine Beaty

During this workshop, we will explore the structure of early Italian tacketed stationery bindings based on the Medici family account book collection at Harvard Business School’s Baker Library. From the 14th through the 19th centuries, tacketed stationery books were used for day, letter, and account books. These books were designed for daily use and had to live up to the task. In this 2-day workshop, we will construct the most common style of tacketed stationery binding: a limp vellum binding with laced overbands and a fore-edge flap. The textblock will be sewn over split thongs, which will lace through the front cover and be secured under the overbands. The cover will be reinforced with stiff leather overbands, secured to the cover with decorative alum tawed lacings. During this workshop, we will discuss terminology, binding variations, and examine images from the Medici collection.

Participants should have previous bookbinding experience, and be comfortable using paper, parchment, and leather.

When: Saturday – Sunday, November 18th and 19th
Where: Third Year Studios, 369 Congress Street, Floor 6, Boston, MA 02210

Cost: $125 for GBW members, $175 for non-members

Additional materials fee of $65 due to Katherine on the first day of the workshop.

Katherine Beaty is a rare book conservator in the Weissman Preservation Center, Harvard Library’s special collection conservation facility, where she has worked for the past 10 years. Prior to her appointment at Harvard, Katherine interned at the Library of Congress, the Folger Shakespeare Library, the New York Academy of Medicine, and the Harry Ransom Center. Katherine received an MA in art conservation with a specialization book from the Art Conservation department at Buffalo State College. She has taught workshops for the North Bennett Street School, for local chapters of the Guild of Bookworkers in New England and New York, and presented at the Guild of Bookworkers Standards of Excellence. Katherine has spent the last four years working on collections of early Italian account books at Harvard Business School’s Baker Library.

The workshop will be accompanied by a lecture given by Katherine: Tackets, Overbands, Lacings and Buckles: early Italian stationery bindings of Harvard’s Baker Library. The lecture will be open to the public.

Friday, November 17th. Location and time TBD.

Any questions regarding the workshop can be directed to Kate Levy at newgbwprograms@gmail.com.

For registration click here: https://gbw.formstack.com/forms/italian_tacketed_stationery_bindings_with_katherine_beaty